Vernacular photography has been a popular topic of research within the platforms of the history of photography and sociological studies and, in its print form, has increasingly seen its value rise in the marketplace. However, the family slideshow has been largely excluded from these various sites of attention. This thesis explores the family slideshow as a cultural product of mid-twentieth-century America. The slideshow is analysed in terms of how it was presented to and consumed by families in the 1950s and 1960s. The main section of this thesis provides an analysis of a case study carried out regarding the slideshow. The case study collected oral histories from four individuals on their experiences with producing and viewing slideshows in the mid-twentieth century. The analysis provides qualitative research on the consumption, production and viewing of the slideshow as a popular medium for family snapshots.