The structure of art is an architecture of transformation. This thesis is a meditation on the notion of art or aesthetics as technological, arguing that art or aesthetics in its highest aspect can foment revolution or transformation within oneself, or in the material world. The power of art to invoke change, I define as magic, a means of effectuation that exists outside of the confines of a materialist or scientistic imaginary. Such a mode of effectuation is also linguistic, and connected with meaning. These ideas find their inspiration primarily in the works of Heidegger, Deleuze, Lacan, Kristeva, Schelling, and Slattery. This thesis also acts as a practical, exegetical exercise in aesthetics to render an interpretation of my own artwork, a praxis of art-based research.