The following study set out to examine the creative works of five Muslim tweens in Toronto, Canada, with focus on analysing the intersectionality of religious and gender representations in their works. Theoretical framework underlining this study is a discourse on visual representation of female Muslim characters, hybrid construction of gender, religious values, and media consumption. The primary research questions of this study are; (1) How do Muslim tween girls reproduce meaning and construct gender identity in their creative works? (2) How do their stories intersect gender construction with their religious background and media consumption?
The results of this study revealed the hijab (Muslim head scarf) as significant visual representation of female Muslim characters in young adults’ stories. It affirms hybrid representation of gender, religious and media consumption which, in turn demonstrates Muslim tweens mitigation in gender construction. This study also reveals the fluidity of domination which explores aspects such as new context of non-existent male-characters, religious identity and kindness as the indicator of perceived beauty. Additionally, some of these tweens associate feminine identity and representation with nature which is deeply rooted in Western fairy tales and religious values (Judeo-Christian and Islam).